“They afford much food for reflection,” thought Mr. Simson, “though I cannot myself go as far as you do in including Christianity under that heading.” “Oh, don’t be nonsensical,” she said. “Your father isn’t the only man married to a woman not as clever as himself. He isn’t going to let that stop him. And your mother’s going to learn to be the wife of a great man and do the best she can. And if they don’t like her they’ve got to put up with her. I shall talk to the both of them.” A wave of motherliness towards the entire Phillips family passed over her. It included Hilda. She caught the child to her and gave her a hug. “You go back to school,” she said, “and get on as fast as you can, so that you’ll be able to be useful to him.”!

“Mother’s got it,” answered the girl. “Seemed best for the poor little beggar. I’m supposed to be dead, and my husband gone abroad.” She gave a short, dry laugh. “Mother brings him up to see me once a year. They’ve got quite fond of him.” He had a sweet, almost girlish face, with delicate skin that the Egyptian sun had deepened into ruddiness; with soft, dreamy eyes and golden hair. He looked lithe and agile rather than strong. He was shy at first, but once set going, talked freely, and was interesting.

Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. Joan could not say. So much depended upon the general state of health. There was the case of her own father. Of course she would always be subject to attacks. But this one would have warned her to be careful. The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another.